The sites the company has documented include the Tower of London, Sydney Opera House, Masjid Wazir Khan, Xochicalco, and Flanders Field American Cemetery.
You can also see CyArk's TED talk here!
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Indeed, entire areas of art scholarship may be missing from the record, because of discouraged scholars and researchers who tacitly agree that rights holders may be arbiters of the very subject matter of art scholarship. (p. 58)Fair use, the report points out, is a "user's right and critical to free expression." (p. 16) Interestingly, perceived copyright disputes that never go to court tend to live vibrantly as legends that can have a chilling effect on creativity as well. (p. 22)
The primary problem in regard to copyright constraints faced by the visual arts communities of practice is members' own confusion and reluctance to use legal options. Because there is such a vital set of reciprocal relationships in this field, with professionals functioning both as creators and as gatekeepers, they themselves can address this problem. They can identify and clarify what are best practices in interpreting fair use within their communities of practice, and thus help further their work as scholars, museum professionals, and artists. (p. 59)In the subsequent article by three of the four authors of the report, "The impact of copyright permissions culture on the US visual arts community: The consequences of fear of fair use," the authors emphasize the problem of censorship and self-censorship in arts communities because of vague threats from copyright holders.
Endemic concern about legal risk is thus radically out of step with any experience of direct challenge.... The lived experience of legal action or anything close to it appears to be vanishingly small. By contrast, the belief that copyright is fraught with threatening situations appears pervasive. The fear that rights holders will complain, however, appears more common and highly effective in the absence of any language to defend one's choice not to license. Most common is internal censorship and gatekeeping within the production process. (p. 2020)The creative use of digital technologies and art and scholarship using new forms of media are particularly vulnerable to fear of Fair Use. (p. 2024) Fortunately, many artists working in new technologies are also activists--promoting copyleft and using Creative Commons open licensing. As our generations become more savvy about technology and creativity, the arts communities may become less fearful of Fair Use and braver about exercising their rights to use fairly!